
Stormskerry Maja
Jan 19 2024
•3h 44m
•Drama
Maja and Janne move to the barren and remote island of Stormskerry, where survival is a daily struggle. Growing up in a world of old values, Maja becomes aware of a new era: a woman can be an equal partner instead of a mere bystander. The couple have children, and life is good until trouble sets in: war arrives on the island, Janne is forced to flee from the English troops, and Maja and the children are imprisoned. The family also faces many financial difficulties and death. Years pass, but Maja remains strong and stays in Stormskerry despite all the hardships and difficulties.
Cast
See all
Amanda Jansson
Maja

Linus Troedsson
Janne

Amanda Kilpeläinen Arvidsson
Anna

Jonna Järnefelt
Maja's mother
Recommendations
See all
Landscape in the Mist
Two Greek children embark on a journey to search for their father, who supposedly lives in Germany.

Girl Picture
Best friends Mimmi and Rönkkö support each other unconditionally. They want to live adventurous lives, loaded with experiences and passion. Emma on the contrary has given her whole life to figure skating. Nothing gets between her and success. But when the girls meet, life opens whole new paths, and they all rocket in new directions. While Mimmi and Emma experience the earth moving effects of first love, Rönkkö is on a quest to find pleasure. Three Fridays is all it takes to turn their worlds upside down.

Eephus
As an imminent construction project looms over their beloved small-town baseball field, a pair of New England rec-league teams face off for the last time. Tensions flare up and ceremonial laughs are shared as an era of camaraderie and escapism fades into an uncertain future.

Blix Not Bombs
When the world was on fire, they called Hans Blix. This is how the Swedish diplomat is introduced in ‘Blix Not Bombs’. And if there is one fire he is particularly associated with, it is the 2003 invasion of Iraq. Prior to the invasion, Blix led the delegation of UN officials to find out whether weapons of mass destruction were present in Iraq. And it is the invasion and its consequences that we get Blix’s formidably insightful analysis of in a thorough and honest conversation with director Greta Stocklassa. Few others understand the complexities of international politics on the world stage like Blix, and none can explain it with his intellectual elegance. But Stocklassa’s film is also a portrait of the man himself, now an elderly gentleman, writing his memoirs, walking with a cane and watching birds through the window of his apartment. His outlook and commitment is as urgent as ever, as Blix takes stock of the invasion of Iraq and the state of the world today.