Idiotentest

Idiotentest

5.3

Apr 19 2012

2h 30m

Comedy, TV Movie

In a driving school, three women of different ages meet for the so-called idiot test. There is a close friendship between the women. Annette, Katja and Isabel unite dislike for the macho driving instructor Marius, but also enthusiasm for Erik, who also has to undergo retraining. The three ladies have to recognize the problems in their lives and get a grip on them.

Mariele Millowitsch

Mariele Millowitsch

Katja Becker

Susanna Simon

Susanna Simon

Annette Lorenz

Henriette Richter-Röhl

Henriette Richter-Röhl

Isabel Schinkowsky

Nicki von Tempelhoff

Nicki von Tempelhoff

Erik

Recommendations

See all
R-Rated Idol Seung-ha's Sex Scandal
6.9

R-Rated Idol Seung-ha's Sex Scandal

2020

When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.

The Last One of the Six
6.2

The Last One of the Six

1941

Paris, France. Commissaire Wens is put in charge of the investigation into the murder of one of six friends who, in the past, made a very profitable promise.

Live in Front of a Studio Audience: Norman Lear's "All in the Family" and "The Jeffersons"
6.6

Live in Front of a Studio Audience: Norman Lear's "All in the Family" and "The Jeffersons"

2019

Celebrities re-create an original episode each from "All in the Family" and "The Jeffersons."

People
7.8

People

2021

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.