Urban Evil: Trilogy of Fear
Feb 08 2005
•1h 26m
•Horror
From the dark vaults of Forbidden Worlds comes a new chapter of terror in Urban Evil: A Trilogy of Fear, a collection of three contemporary stories of urban horror. In "Demonic Tunes," a dynamic hip-hop group called Urban Protectors is "discovered" by the notorious record producer Dr. Bones, who plans to turn them into part of his zombie army and dominate the world. In "The Killing Kind," 17 year-old Kwame invokes his grandmother's magic of the "killing kind" and puts it into her old rag doll after a group of local thugs put her in the hospital. And finally "Hidden Evil" explores a mysterious vault in the basement of an old abandoned high school, where there lurks an evil that has been locked away for 100 years. When they mistakenly free a horrific spirit, the school becomes a deadly prison and there is no way to escape.
Cast
See allDarrow Igus
Docteur Bones
Larry Bates
Jamal
Sarah Scott Davis
Lisa
Rhonda Claerbaut
Theodora
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A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
Hannibal Hopkins & Sir Anthony
Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.
Make Mine Music
In the tradition of Fantasia, Make Mine Music is a glorious collection of musically charged animated shorts featuring such fun-filled favorites as "Peter and the Wolf", narrated by the beloved voice behind Winnie the Pooh. In addition you'll enjoy such classic cartoon hits as "Casey at the Bat," "The Whale Who Wanted to Sing at the Met" and "Johnnie Fedora and Alice Bluebonnet."
Mist
Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.