Dead & Company: 2023-06-10 Wrigley Field, Chicago, IL, USA
Jun 10 2023
•3h 19m
•Music
Set 1: Truckin'(Grateful Dead cover) (>) Smokestack Lightning(Howlin’ Wolf cover) (with Truckin tag) Althea(Grateful Dead cover) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) High Time(Grateful Dead cover) (>) All Along the Watchtower(Bob Dylan cover) (>) Bertha(Grateful Dead cover) (>) Good Lovin'(The Rascals cover) Set 2: Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) St. Stephen(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Uncle John's Band(Grateful Dead cover) (>) Cumberland Blues(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 2) Morning Dew(Bonnie Dobson cover) Encore: Brokedown Palace(Grateful Dead cover) (>) Playing in the Band(Bob Weir song) (Reprise) (>) One More Saturday Night(Bob Weir song)
Cast
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Bob Weir
Self
John Mayer
Self
Jeff Chimenti
Self
Oteil Burbridge
Self
Recommendations
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Dead & Company: 2023-06-18 Saratoga Performing Arts Center, Saratoga Springs, NY, USA
Set 1: Hell in a Bucket(Grateful Dead cover) Sugaree(Jerry Garcia cover) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) (>) Mr. Charlie(Grateful Dead cover) Friend of the Devil(Grateful Dead cover) (>) Lost Sailor(Grateful Dead cover) (>) Saint of Circumstance(Grateful Dead cover) (>) Big Railroad Blues(Cannon’s Jug Stompers cover) Set 2: Samson and Delilah([traditional] cover) Playing in the Band(Bob Weir song) (>) Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Death Don't Have No Mercy(Reverend Gary Davis cover) Throwing Stones(Grateful Dead cover) Sugar Magnolia(Grateful Dead cover) Encore: Werewolves of London(Warren Zevon cover) (> 'Playing in the Band' reprise)
Michael Lives Alone
A young photographer's home is haunted by it's former residents.
Rewind 2: 1996
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
Hello
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.