The Land
Nov 15 2021
•0h 16m
•Drama
Rita discovers that she is the victim of a scam in the purchase of a piece of land and denounces the woman who manages the place. Without finding justice, Rita joins other scammed people to face the situation.
Cast
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Yiliana Chong
Melvin Quijada
Sylvia Majo
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Rosa is a mature police officer with both a gambling and a drinking problem. She lives with her daughter Sheila, who has a little baby. One day, after a big fight between them, Sheila steals her mother's savings and storms out of the house leaving her baby behind. Rosa is forced to spend some time with her grandson. Something changes inside her heart of stone. However, everything takes a wrong turn one night. Only a miracle can save her.
Workers Leaving the Lumière Factory
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
The Phantom Carriage
An alcoholic, abusive ne'er-do-well is shown the error of his ways through a legend that dooms the last person to die on New Year's Eve before the clock strikes twelve to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.
Selfie
Naples, Trajan's district. Initially it was intended for the inhabitants of the shantytowns on the seafront of Naples, who were homeless after the war. But it soon became a kind of ghetto. Alessandro and Pietro are two teenagers who film with an iPhone to tell their difficult neighborhood, their daily life, the friendship that binds them.