All Recommendations
Daida back to the Ocean
Daida Ruano Moreno, 18 times World Champion, tells her fight against her most difficult rival: a Cancer that almost took away not only her Life, but her most personal and intimate dream…
Storm Over Georgia
In the middle of Sherman's March, in eastern Georgia, Confederate infantry, cavalry, and artillery make a bold stand against the overwhelming numbers of the Union army as it tears across Georgia.
Everything Will Be Fine
A writer-director known for becoming obsessed with his own stories, Jacob Falk stumbles upon photographs of prisoners of war being tortured by Danish soldiers. Suspecting a political conspiracy, Falk falls into a frenetic chase to reveal the mystery behind the photos, which leads him to discover a truth more disturbing than he imagined.
Moments: Six
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
Negativ
A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.
1-2-3
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
FILM
A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.
Lion, London Zoological Gardens
A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.
Big Dipper Array
I Nut-Nut e il segreto della Nutella
Conni & Co 2 - Das Geheimnis des T-Rex
Teenager Connie and her friends try to save an island full of nature and place of their encounters from being destroyed by the construction of a hotel there.
María de la O
A famous painter returns to Spain under a false name as he once had to run away, to meet his half gypsy daughter, who has become a flamenco dancer. He offers her his house, making popular rumors take flight.
Maga Mommaga
Maga Mommaga is a 1974 Indian Kannada-language film, directed by Y. R. Swamy and produced by R. Panduranga Naidu and D. R. Raghavendra Naidu. The film stars Dwarakish, K. S. Ashwath, Vajramuni and Balakrishna in the lead roles. The film has musical score by M. Ranga Rao.
A Taxing Woman's Return
Ryōko Itakura returns as the tough-as-nails government taxing agent. This time she must figure out a way to expose a fanatical religious cult lead by a corrupt sociopath.
Johan Glans: World Tour of Skåne
Johan Glans - "World tour of Skåne" är en stand-up show som skämtar friskt om bl.a. hur det är att bo hemma hos mamma och pappa som vuxen. Hur det var att vara skolpolis i småskolan, hur det är att ha blivit pappa och hur det kan gå när man drar en lögn när man har dubbelbokat sig på ett gig.
