Heads for Sale

Heads for Sale

5.6

May 06 1970

1h 21m

Action

This tale is about a decapitating swordswoman who will let nothing stand in her way when she falls in love with a bandit's son. Chiao Chiao, made famous in One-Armed Swordsman, is the girl who won't let such trifles as craniums keep her from freeing her man from jail.

Lisa Chiao Chiao

Lisa Chiao Chiao

Hua Bilian

Chan Leung

Chan Leung

Luo Hongxun

Wang Hsieh

Wang Hsieh

Bao Zian

Helen Ma Hoi-Lun

Helen Ma Hoi-Lun

Bao Jinhua

Recommendations

See all
Master of the Flying Guillotine
6.6

Master of the Flying Guillotine

1976

A one-armed martial arts master is being stalked by an Imperial assassin, the master of two fighters killed in the previous film. When the One-Armed Boxer is invited to attend a martial arts tournament, his efforts to lay low are unsuccessful, and the assassin soon tracks him down with the help of his three subordinates: a Thai boxer, a yoga master, and a kobojutsu user.

No Trace
7.2

No Trace

2021

In a near future, a callous smuggler hardened by life guides a pious young woman and her child across the border to safety, unaware that their destinies are inescapably linked in this inhospitable land.

Let Me Call You Sweetheart
5.5

Let Me Call You Sweetheart

1997

A female prosecutor notices a woman in a plastic surgeon's waiting room who looks strikingly like a girl who was murdered more than ten years earlier. An investigation into the plastic surgeon grows more bizarre by the minute, as the prosecutor unravels a ten year old mystery involving betrayal and murder.

Film
7.3

Film

2012

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri