Final Cut: Ladies and Gentlemen

Final Cut: Ladies and Gentlemen

7.6

Feb 04 2012

1h 24m

Drama, Romance

A film where anything can happen - the hero and the heroine changes their faces, age, look, names, and so on. The only same thing: The love between man and woman... in an archetypical love story cut from 500 classics from all around the world.

Brigitte Bardot

Brigitte Bardot

(archive footage)

Alain Delon

Alain Delon

(archive footage)

Bruno Ganz

Bruno Ganz

(archive footage)

Greta Garbo

Greta Garbo

(archive footage)

Recommendations

See all
Sullivan's Travels
7.4

Sullivan's Travels

1941

Successful movie director John L. Sullivan, convinced he won't be able to film his ambitious masterpiece until he has suffered, dons a hobo disguise and sets off on a journey, aiming to "know trouble" first-hand. When all he finds is a train ride back to Hollywood and a beautiful blonde companion, he redoubles his efforts, managing to land himself in more trouble than he bargained for when he loses his memory and ends up a prisoner on a chain gang.

Godsend
4.8

Godsend

2004

A couple agree to have their deceased son cloned under the supervision of an enigmatic doctor, but bizarre things start to happen years after his rebirth.

Slaughterhouse-Five
6.5

Slaughterhouse-Five

1972

Billy Pilgrim, a veteran of the Second World War, finds himself mysteriously detached from time, so that he is able to travel, without being able to help it, from the days of his childhood to those of his peculiar life on a distant planet called Tralfamadore, passing through his bitter experience as a prisoner of war in the German city of Dresden, over which looms the inevitable shadow of an unspeakable tragedy.

Silvered Water
6.6

Silvered Water

2014

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.