Inspiration
Sep 09 1949
•0h 12m
•Animation, Fantasy
A glass blower imagines that his creations come to life. A story of love contained within a single drop of rain. A voyage into ethereal beauty.
Cast
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Karel Zeman
Glass Blower
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Christmas in Connecticut
While recovering in a hospital, war hero Jefferson Jones grows familiar with the "Diary of a Housewife" column written by Elizabeth Lane. Jeff's nurse arranges with Elizabeth's publisher, Alexander Yardley, for Jeff to spend the holiday at Elizabeth's bucolic Connecticut farm with her husband and child. But the column is a sham, so Elizabeth and her editor, Dudley Beecham, in fear of losing their jobs, hasten to set up the single, childless and entirely nondomestic Elizabeth on a country farm.
A Christmas Dream
Christmas has arrived. As a little girl and her parents enter the room, the little girl finds all kinds of toys under the Christmas Tree. She immediately throws her old doll aside and starts playing with her new dolls. But that night she has a dream. Or maybe it isn't a dream?
Invasion: UFO
The Earth is threatened by an alien race who kidnap and kill humans and even animals and and use them for their body parts. In the year 1980 S.H.A.D.O. (Supreme Headquarters Alien Defence Organization), a highly secret military organization, is set up in the hope of defending the Earth from this alien threat. This organization operates from a secret location beneath the Harlington-Straker film studio in London. S.H.A.D.O. also has a base on the moon with Interceptors as well as an early warning satellite that detects inbound UFOs (called S.I.D.), and operate a fleet of submarines. General James Henderson and commander Ed Straker have a team of highly trained and well equipped females and males to battle the regularly incoming hostile UFOs.
Cake Walk
This video documents Cake Walk, an installation and performance piece by artist Houston Conwill, staged in November 1983 at Linda Goode Bryant's pioneering gallery Just Above Midtown (JAM), at its second (downtown) location on Franklin Street. The piece refers to the cakewalk dance which developed in the mid-eighteenth century among enslaved African Americans as, among other things, a way to covertly ridicule slaveholders. The dancers in Cake Walk move amid Conwill's sculptures and paintings, one of Conwill's cosmograms painted on the floor beneath them.