Tomkinson's Schooldays
Jan 07 1976
•1h 30m
•Comedy
New boarder Tomkinson is thoroughly miserable at Graybridge public school where he has to fight the grizzly bear,get nailed to the wall on St Tadger's Day and do the bidding of Grayson,also known as School Bully. When his mother refuses to let him come home he makes several attempts to escape,all unsuccessful,but after winning the Thirty Mile Hop against a rival (Buddhist) public school he is promoted to School Bully when Grayson leaves for Eton.
Cast
See all
Michael Palin
Tomkinson / Headmaster / TV Introducer / Mr Craffitt
Terry Jones
Mr. Ellis / Bear / Mr. Moodie / Director
Gwen Watford
Mummy
Ian Ogilvy
Grayson
Recommendations
See all
Murder at Moorstones Manor
Sir Clive Chiddingfield invites his family to his birthday party at lonely Moorstones Manor but in the course of the evening half of those present are murdered one by one and the remaining survivors except for Lady Chiddingfield each admit to being the killer,eventually shooting each other.
Re-Cycling
This direct-to-draw animated film on 35 mm film features the imagery of 10 European directors in a collective project. Each produced 1 minute of animation on film, drawing directly onto it in his or her own style.
My Avatar and Me
is a creative documentary-fiction film and a film that might expand your sense of reality. It is the story about a man who enters the virtual world Second Life to pursue his personal dreams and ambitions. His journey into cyberspace becomes a magic learning experience, which gradually opens the gates to a much larger reality.
The Arrival of a Train at La Ciotat
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.