Bayaludaari
Jun 10 1976
•2h 19m
•Romance, Family, Drama
Bayaludaari is a 1976 Indian Kannada-language film directed and produced by the Dorai–Bhagavan duo. It is based on the novel of the same name by Bharathi Sutha. This was the first movie of the director duo without Dr. Rajkumar in the lead. The film starred Anant Nag, Kalpana, and K. S. Ashwath. It was a musical blockbuster with all the songs composed by Rajan–Nagendra considered evergreen hits. Bayalu Daari was the first commercial success for Anant Nag who had earlier done art films and established himself as a leading star in the Kannada cinema with a chocolate hero image. This film was one the last big hits of Kalpana. The helicopter scenes formed a major highlight of the movie.
Cast
See allAnant Nag
Gopinath
Kalpana
Chandra
Ashok
Raja
K. S. Ashwath
Madhava Rao
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Film
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
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Lettres du train fantôme
June 1944 : In the midst of the Liberation, 800 deportees were transported from French camps to Germany. Due to the Allies’ bombing and Resistants’ attacks, the railway was in such bad shape that the journey across France took 57 days. The deportees even had to walk at some occasions and were seen by several eye witnesses. The journey ended in Dachau and more than half of the deportees never came back. This story is unique, because of the incredibly long voyage that made many people witness the deportations towards German camps, usually made « invisible ». The film, based on the eye witnesses’ evidence and on the deportees’ own letters, ask us, « What would we have done in a similar situation today ? ».