Esa voz es una mina
Apr 01 1956
•1h 25m
•Drama, Music
A young miner, married to a lovely woman crippled, lives happily proving to have a wonderful singing voice while hauling trucks in the mine. One day, to hear a clever promoter, gets its hands on an interesting contract to sing in the most cosmopolitan nightclubs, waking him good prospects for a revenue amazement while he meets another woman who might get put endanger their marriage.
Cast
See all
Antonio Molina
Rafael Vera

Nani Fernández
Consuelo Romero

Rafael Durán
Carlos Varela

Delia Luna
María
Recommendations
See all
Puente de coplas
Antonio and Rafael Lorca, two brothers with very different characters. Antonio returned to his farm after having made a career as a singer in Latin America. Meanwhile, all these years has been to Rafael parental care and its fields and farms. When he returned to Spain Antonio realizes that Rafael is preparing his wedding with Carmen, the woman with whom he had always been in love.

Familia provisional

Object: Alimony
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

I Before Thee
Jeffery hasn't been the same since the loss of his wife who died during childbirth. Now crisis returns to his life, as his only child is diagnosed with leukemia, sending him into a tailspin. He turns away from his faith, feeling that life is no longer worth living. As God brings reminders of His goodness into Jeffery's life, will that be enough to guide him back to what matters most?