All Recommendations
RETURN
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
Do-Re-Me
Hong Kong movie
Return
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
War
In the gray dawn of an October day, as the inhabitants of a village street in Tripoli are engaged in the enjoyment of their several pursuits of life, an Arab rushes upon the peaceful scene, announcing that Italy has declared war against Turkey and that the Italian warships are now in the harbor, shelling the city.
Hong Gil-Dong Vs Terminator
When a book containing Hong Gil-dong's magic was stolen from the museum, a boy and his friend will see Hong Gil-dong and Terminator of the past.
Return
A horror short with no dialogue (Advised to watch with headphones)
Return
Marvel One-Shot: The Consultant
Agent Coulson informs Agent Sitwell that the World Security Council wishes Emil Blonsky to be released from prison to join the Avengers Initiative. As Nick Fury doesn't want to release Blonsky, the two agents decide to send a patsy to sabotage the meeting...
Brothers
An intense drama on the portrayal of brotherhood, BROTHERS depicts the mistrust and feud between two brothers through the eyes of an investigating police officer. Despite their close relationship, Yiu and Shun were separated at a young age due to a decision made by their father. Years later they meet again when the family runs into crisis where Yiu, inspired by his father's last words, manipulates a series of setups which endangers Shun's life, so as to achieve his goal. The crisis brings the two brothers back together again. However, a series of setups arranged by Yiu causes Shun to flee to Thailand, accompanied by confidantes Ching (Crystal Huang) and Ghostie (Wong Yat-wah). As Shun is caught between life and death, the trust between the brothers is put to a serious test. When Shun finally realizes the true intention of his brother, things are already beyond repair.
Return
A young woman was buried alive with the intention of killing, but she survived by chance. hears the cries of her little girl and fights to stay alive for her daughter. But this incident will enlighten a new worldview for her.
Allied
In 1942, an intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war.
A Scooby-Doo! Christmas
On the way to Daphne's relatives' condominium, the Mystery Inc. gang detours through the town of Winter Hollow, where the vengeful Headless Snowman has destroyed the town's Christmas spirit.
Captain Nulle
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
Small Displays of Chaos
Rayanne struggles with her eating disorder.
Gilbert
The life and career of one of comedy's most inimitable modern voices, Mr. Gilbert Gottfried.
Return
Enemy
Frightening events unfold that may or may not be figments of Marigold’s imagination.
1-2-3
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.