The Punk Rock Movie
Jun 09 1978
•1h 26m
•Documentary, Music
Documentary on the London punk-rock scene, circa '78
Cast
See all
Susan Lucas
Self
John Lydon
Self
Sid Vicious
Self
Paul Cook
Self
Recommendations
See allLoving Lampposts
As autism has exploded into the public consciousness over the last 20 years, two opposing questions have been asked about the condition fueling the debate: is it a devastating sickness to be cured or is the variation of the human brain just a different way to be human? The film takes a look at two movements; the recovery movement, which views autism as a tragic epidemic brought on by environmental toxins, and the neurodiversity movement, which argues that autism should be accepted and that autistic people should be supported. After his son's diagnosis, filmmaker Todd Drezner visits the front lines of the autism wars to learn more about the debate and provide information about a condition that is still difficult to comprehend.
The Summer House
A young girl flees to France to forget her boyfriend; first his letters pursue her, then he himself follows her there. During a party to celebrate the moon landing she takes her own small step...
Devan
When the movie opens Devan(Arun Pandiyan) murdering photographer Jeeva(Thalaivasal Vijay) in cold blood in his house. Jeeva strategically positions a video camera to capture the impending murder but Devan never shows his face to it. And when Jeeva shouts out the name of his killer before dying, the audio is lost at that point. While the police search for the killer, Devan zeroes in on Chetta (Saikumar) as his next target. He follows Chetta to Chandigarh but is apprehended by CBI officer Ratnavel(Vijayakanth). But once Ratnavel realises Chetta's true nature, he begins to help Devan, even hiring successful lawyer Chakravarthy(Karthik) to fight for him. The flashback shows that Devan's sister (Kausalya) was killed by Chetta, Devan wants to avenge the death of his sister. In the climax, villain is killed.
Payment in Kind
In an unusual, apolitical approach, director Jaromil Jires has fashioned a standard drama that features an older lawyer with failing health who goes to practice in the countryside. His series of odd court cases reveals more about the human condition than about law. In one of these litigations a wayward nephew has cheated his elderly aunt out of her savings. In court, the nephew insists the money was a gift, but his aunt explains she only gave him the money as a loan. Although the lawyer technically wins the case, everything of value seems lost in the meantime. His services are paid for in rabbits because the aunt has no currency, and in the end, the nephew cons his aunt into parting with her savings anyway. Other cases expose similar types of petty corruption.