Blaník

Blaník

7.7

Jan 01 1997

2h 35m

Comedy

Cimrman sees the reason for the popularity of the Blanik legend in Bohemia mainly in the geographical location of our homeland. In agreement with Palacký, he was aware that "we are here in Europe like a grain between two millstones. From the west, German imperialism presses upon us, and from the east, the expansionism of the Great Russian colossus crushes us. It is no wonder that a small nation under such pressure seeks supernatural and even miraculous protection, for only a miracle can enable it to survive here."

Jaroslav Weigel

Jaroslav Weigel

Hynek z Michle

Jan Kašpar

Jan Kašpar

Smil Flek z Nohavic

Ladislav Smoljak

Ladislav Smoljak

Veverka z Bitýšky

Pavel Vondruška

Pavel Vondruška

Josef Bohuslav Chvojka

Recommendations

See all
The Stand In
10.0

The Stand In

1997

Poverty was one of the many unfortunate aspects of Cimrman's life. His traveling theater company, Lipany, suffered from high actor turnover. If an actor's departure was agreed upon well in advance, the situation could be managed. However, if it happened with shouting and slamming doors, often just a few hours before the performance, the troupe and its director experienced some tense moments. Such experiences form the backdrop to the play. Lovers of the work of this unrecognized Czech artist are now able to access testimony from this area of the master's life, in which his destiny was most fulfilled—the theater.

Seasons
6.5

Seasons

2008

Seasons is a film that follows seven of the worlds top mountain bikers through the course of four seasons of one year - The film explores what it means to be a full time rider as told through the lives of downhill racers/slopestyle competitors and big mountain freeriders

People
7.8

People

2021

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Not a Word about Football
7.0

Not a Word about Football

1973

Thirteen year old Slavik has always wanted to play football, but in order to play on the children's team he lies and pretends to be 12 years old. When they win, his life could not be better. But when his little sister finds out what he's done and threatens to send a letter to the losing team, his deception is revealed.