
Ambyar Mak Byar
Jan 09 2025
•2h 55m
•Comedy, Drama, Music, Romance
Jeru is striving to achieve his dream career while managing his campursari band, Konco Seneng, alongside his friends Rick, Novian, Wahyu, and Aruna. He faces romantic complications involving Bethari, which put the future of the band at risk, along with his mother's business facing the threat of closure.
Cast
See all
Gilga Sahid
Jeru

Happy Asmara
Bethari

Evan Loss
Rick

Angie Williams
Aruna
Recommendations
See all
Ketindihan
Tania, a young tennis athlete trapped in a broken family, the pressure of her father's ambitions, and a toxic relationship with her boyfriend, Coki. Amid her loneliness, Tania and her friends summon Beuno, a djinn who preys on humans in their sleep. Since then, sleep paralysis and terrifying terror begin to haunt her life, putting the lives of her loved ones at stake.

Almarhum
Mr. Mulwanto's tragic death on Tuesday Kliwon was the beginning of disaster for the Nuri family. It is said that anyone who dies on that day will invite their family members to join them in dying. The families left behind were also asked to undergo a series of rituals to prevent this. Wisesa, the eldest child who works as a doctor, rejected the ritual because it was unreasonable and chose to accompany his mother who was still devastated. However, a strange and terrible incident that happened to Nuri and her sister, Yanda, forced them to find out about the truth behind the myths and rituals.

Mazlíček

One Zip Too Far
In 'One Zip Too Far', Jon van Eerd portrays a campsite owner trying to keep his head above water in a world full of zippers, tow bars, and tent pegs. As if demanding guests and a snooty neighbor aren't bad enough, the campsite is also threatened with closure. In an attempt to keep the tent standing, our main character sinks deeper and deeper into a hilarious whirlpool of problems, fabrications, and misunderstandings. In this farce, Jon van Eerd is once again supported by a host of well-known personalities such as Pamela Tevens, known from 'Onderweg naar Morgen', and Lucie de Lange, who considered the farce the best reason to return to Dutch theaters.