All Recommendations

No Publicity
Cameraman Eddie is sent to photograph a socialite at a private lecture on morals. The young woman's guardian will have none of it however, and Eddie resorts to a number of deceptions in order to get a picture.

Cathy's Valentine
As Valentine's Day approaches, Cathy, ever the romantic, becomes passionately consumed with thoughts of hearts, flowers and candle-lit dinners.

Goosebumps: Deep Trouble
Billy and Sheena visit their Uncle Harold on an island in the Caribbean, but while exploring under water they find something terrible lurking deep below the sea.

Six Weeks to Twelve Years
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

RETURN
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.

Forest
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

My Love, My Umbrella
A young woman loses her umbrella in a café altering her perception of the world forever.

Safar
Three childhood buddies Gaurav, Suman and Rohit take off on a road trip from Dallas to Sanfransisco after Suman decides to go back to Nepal. During this journey they learn to reminisce their past, live their present to the fullest and plan the future. This high octane journey drama changes the course of their lives forever.

Black Country, New Road - “Live at Bush Hall”
At the peak of their success, the lead singer of ‘Black Country, New Road’, Isaac Wood, left the band. This concert film documents the group’s triumphant return at three consecutive shows in Bush Hall, performing new music centered around recovering from loss and their continuing friendship.

Negativ
A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

Asfoor we Daboor

Hope Again
A new town, school, and youth group is exactly what Darla and her three daughters need to restart their lives, but despite their struggles, God's faithfulness still proves they are not forgotten.

ΤΑΙΝΙΑ
Thanasis, a rising movie star is excited about the new movie he is starring in. This movie is called FILM. The excessive ambitions and artistic vision of the director that will lead Thanasis to madness. He himself is determined to discover the secret of filming and ultimately the secret of life. In a film shooting nothing is as it seems.

The List
Ever been dumped? In front of 20,000 people at a stadium, on live television!? LEWIS BOND, a dashing young executive, decides to get serious after this experience and creates a list (litmus test) that the right woman should match, to avoid another humiliation. However, when he thinks he has found her, she turns out to be not as perfect as he thought, leaving the risk averse Lewis to choose between what his head or heart tells him.

Vengo a matar al padrote

1-2-3
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Misery Loves Company
MISERY LOVES COMPANY is a film about personal growth and emotional understanding in the guise of a dark romantic comedy. Brian Norton (Peter O'Brien) is a broken-hearted projectionist with a chip on his shoulder. After getting dumped by his current love interest, Alison (Priscilla Wilson), he inverts to a retrospective state in search of the source of his dilemma, but when your reality is primarily fantasy, it's easy to lose sight of things. Brian struggles for understanding as his best friend, Cliff (Steven Bendler), encourages him to put his emotions aside and focus on friendships instead of relationships. It is through Cliff that Brian meets Veronica (Carly Ballister) and his inner conflict begins. His problems are exacerbated by the adolescent advice of his friends, Les (Shawn Stephens) and Wayne (Konrad Mann). What follows is an exploration of options, expectations and experiences that serve to remind Brian of one thing... You're never as alone as you feel.

Abandoned Souls
In an underground prison an inmate escapes during a riot. One year later, a group of friends set out to locate an old hermit shack. They're worst nightmares are revealed when they spawn an evil darkness within the escaped prisoner.
Bastard
Ambrus, the canon pretender and Gerzson, the stinking rich lawyer, taking advantage of a sect and a fake hospice, are engaged in doing unsuspecting old people out of their money.