QRT: Sign, Zombie, Teqno - A Necrologue
Oct 23 2024
•2h 37m
•Documentary
QRT – a condensed existence of the 90s in Berlin, sleepless and aimless, analyzing the themes of the time. Techno and heroin, heroes and saints, comics and film, philosophy and performance. He turned himself into a subject of radical living, too close, too intense. This documentary approaches QRT’s life and crafts an anecdotal biography through interviews with friends who look back on their shared time up to QRT’s tragic drug-related death in ‘96. Excerpts from his texts, published posthumously by Merve Verlag, are also presented.
Cast
See allKurt Leiner
(archive footage)

Oskar Roehler
Tom Lamberty
Frank Wulf
Recommendations
See all
Wolf Hound
Inspired by the real-life German special operations unit KG 200 that shot down, repaired, and flew Allied aircraft as Trojan horses, "Wolf Hound" takes place in 1944 German-occupied France and follows the daring exploits of Jewish-American fighter pilot Captain David Holden. Ambushed behind enemy lines, Holden must rescue a captured B-17 Flying Fortress crew, evade a ruthless enemy stalking him at every turn, and foil a plot that could completely alter the outcome of World War II.

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo

Way Back Home
Jeong-won, who forgot the past and lives a peaceful marriage, receives a phone call from the police one day. The man who sexually assaulted her has been caught and the news shakes up the couple’s life and breaks down their daily lives.

People
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.