All Recommendations
Goudvink
In the film "Goudvink," we meet Yaël and Idris, two non-binary people of color in their twenties, who in their turbulent and social lives surprise and overwhelm each other with the words "I love you".
Evare Athagadu
Film starring Vallabha, Priyamani, Jaya Seal
Unfinished House
Sandu, a player, asks his friend to keep company to one of his conquests for a few hours. But then hours turn to a few days, and the two get to know each other better. Acting debut for Valeria Seciu.
The Abused
Documentary exploring the lives of two victims of domestic abuse, Hazel and Kelly, and the events that unfolded as they reported their abuse to the police.
The Amazingly Aerodynamic Unleaded & Quadro-Cylindrical Fly-O-Mo Car™
Or: Shitty Shitty Bang Bang. No one wishes to take credit for this script.
Ordeal
Around teatime, Mr. Kaplan's doorbell rings. This is Jean who appears behind the door, a visit he had stopped waiting for long ago...
La Gioconda está triste
The Mona Lisa loses her famous smile, and so does the rest of the world.
Biskra : une noce indigène
Exotic street scene with men riding camels.
Youp van 't Hek: Verlopen en Verlaten
Kevin Turvey Investigates
The Mad Kevin Turvey has been hired by the BBC to investigate things
L'Histoire Du Film "La Bataille D'Alger"
More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.
Fracture
Variously relaxed, apprehensive, or relieved, the fractured gestures of a woman and a baby are played backward and forward, frame by frame, like a musical phrase. Preserved by the Academy Film Archive in 2014.
Shifting the Blame
In a project with the concept of open-prison, Benjamin is given the unique chance of a new beginning. As one of seven juvenile offenders he should adopt social skills and experience security in a family-like community. But when he meets his house-mother Eva, he is shocked. She was one of his victims, but cannot recognize him because he was hidden by a mask. His brutal assault on her was never resolved. Ben does his best not to attract attention. But Eva's suspicion is aroused.
Alya
Rovin' Tumbleweeds
Rancher Autry takes a job singing on the radio to aid farmers and ranchers whose lands were destroyed by raging floods. Blaming crooked politicians, he goes to Washington and tries to put through a food control bill and finds he has a lot to learn. In this classic release, Gene introduces his immortal theme song, "Back in the Saddle Again," which has gone on to become a piece of American History.
Come To Rest
Tired of the city life, the Botha family decides to move to the bush veld. The farm Kom Tot Rus is the ideal place, but then intrigues begin to unfold.
Black Country, New Road - 'Live from the Queen Elizabeth Hall'
Black Country, New Road performing tracks from 'For The First Time' and 'Ants From Up There' live from the Queen Elizabeth Hall
The Desperate Mission
A man who has lost everything joins others paid to convey a wealthy man's wife - and a mysterious treasure - to safety in San Francisco.
Room no 203
TGB's Room No. 203 (2024) Prem and Anand, friends since childhood, share a home. A dark secret from Anand's past emerges, blurring reality. A haunting tale of friendship, mental illness and human nature. As Prem delves deeper, the truth becomes more terrifying.