The King of Kong: A Fistful of Quarters
Mar 25 2007
•1h 23m
•Documentary
In this hilarious arcade showdown, a humble novice goes head-to-head against the reigning Donkey Kong champ in a confrontation that rocks the gaming world to its processors! For over 20 years, Billy Mitchell has owned the throne of the Donkey Kong world. No one could beat his top score until now. Newcomer Steve Wiebe claims to have beaten the unbeatable, but Mitchell isn't ready to relinquish his crown without a fight. Go behind the barrels as the two battle it out in a vicious war to earn the title of the true King of Kong.
Cast
See all
Steve Wiebe
Self
Billy Mitchell
Self
Walter Day
Self
Mark Alpiger
Self
Recommendations
See all
Baghead
Four actors go to a cabin in the woods to write, direct, and act in a film that will jump-start their careers. Their idea is a horror film about a man with a bag over his head, but what happens when that man mysteriously shows up?
The 4 Complete Ed Sullivan Shows Starring The Beatles
This collection consists of four of the most cherished shows in television history. On February 9, 1964, The Beatles made their debut TV appearance in the U.S. on the Ed Sullivan Show. 73 million Americans watched and Beatlemania is born! Other shows included were February 16, 1964, February 23, 1964, and September 12, 1965. Includes 20 song performances, as well as the rest of the four Ed Sullivan shows. Also included in some special editions is the show rehearsal (Deauville Hotel, Miami - Feb.16, 1964)
Air Guitar Nation
If your bedroom has become too small a stage for your air guitar antics, take inspiration from the competitors featured here as they battle their way from the inaugural U.S. Air Guitar Championship to the world championship in Oulu, Finland. Along the way, filmmaker Alexandra Lipsitz documents the fierce rivalries that develop as would-be rock legends vie for top honors in technical accuracy, stage presence and "airness."
Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s
A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.