Irene Huss 4: Glasdjävulen
Jun 11 2008
•1h 27m
•Crime, Drama, Mystery
In a small community near Gothenburg three members of a family priest brutally murdered. The walls are covered with up-and-inverted pentagram - the symbol of the devil's face - painted there by the victims blod.Kriminalinspektör Irene Huss drag quickly parallels to a previous case in which a priest was murdered. Even in that case there were satanic connections. But the deeper Irene Huss digs in case the more convinced she becomes that the clergy are not always as pious as they should be
Cast
See all
Angela Kovács
Irene Huss
Lars Brandeby
Reuben Sallmander
Dag Malmberg
Recommendations
See all
Irene Huss 5: Eldsdansen
A series of arsons is affecting Gothenburg. The leads brings Irene Huss to an unsolved case that happened 15 years ago. Meanwhile, a lady gets murdered in the archipelago, and at first it seems like the cases have nothing in common. Irene's investigation of the murder case leads her back far in time where secrets which are forgotten long ago come to the surface again. Irene's hard work gets even more complicated when she finds out that her daughter is a bully in school.
RETURN
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
1-2-3
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
Red
Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.