Moontrap
Apr 28 1989
•2h 32m
•Horror, Science Fiction
The Space Shuttle returns to earth, but some of the equipment brought back on it begins to behave strangely. Scientists are unsure what is happening, and decide to take all necessary precautions.
Cast
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Walter Koenig
Col. Jason Grant
Bruce Campbell
Ray Tanner
Robert Kurcz
Koreman
Leigh Lombardi
Mera
Recommendations
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The Mother of Tears
An ancient urn is found in a cemetery outside Rome. Once opened, it triggers a series of violent incidents: robberies, rapes and murders increase dramatically, while several mysterious, evil-looking young women coming from all over the world are gathering in the city. All these events are caused by the return of Mater Lacrimarum, the last of three powerful witches who have been spreading terror and death for centuries. Alone against an army of psychos and demons, Sarah Mandy, an art student who seems to have supernatural abilities of her own, is the only person left to prevent the Mother of Tears from destroying Rome.
Maniac Cop
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Supernova
Set in the 22nd century, when a battered salvage ship sends out a distress signal, the seasoned crew of the rescue hospital ship Nova-17 responds. What they find is a black hole--that threatens to destroy both ships--and a mysterious survivor whose body quickly mutates into a monstrous and deadly form.
Genius Party
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.