Fort 13

Fort 13

5.9

Nov 16 1984

2h 34m

Drama, War

A captain and lieutenant of the Russian army are buried in the basement of the Przemysl Fortress during the First World War.

Leon Niemczyk

Leon Niemczyk

Captain

Juliusz Lubicz-Lisowski

Juliusz Lubicz-Lisowski

Austrian General

Jerzy Block

Jerzy Block

Butler

Zygmunt Konieczny

Zygmunt Konieczny

Friend

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Francuski numer
5.0

Francuski numer

2006

Businessman Kurowski dispatches employees Leon and Chwastek to track down his stolen, beat-up Mercedes, which has ended up at Magda’s used-car lot. Strapped for cash, Magda advertises four seats on a Paris trip, answered by Stefan and his son Janek, African student Machu, and Armenian émigré Sergei, while Leon and Chwastek tail the quintet, determined to recover the missing car at any cost.

Pain and Glory
7.4

Pain and Glory

2019

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

Hello
6.1

Hello

Invalid Date

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

People
7.8

People

2021

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.