1:1
Jan 27 2006
•2h 31m
•Drama
In a Copenhagen suburb the 19-year-old Per is found unconscious after having been badly beaten up. He is taken to hospital in a coma. The police have no clues, but the air is thick with suspicion. His mother struggles to maintain her faith in his survival. His younger sister, Mie, begins to pick up rumors. Her boyfriend, Shadi, suspects that his elder brother is behind the assault but he cannot tell anyone. Many well-meaning people find themselves at sea in a fable about emotions leading us astray.
Cast
See all
Mohammed Al-Bakier
Shadi
Joy K. Petersen
Mie
Anette Støvelbæk
Sos
Trine Appel
Merete
Recommendations
See all
Coolie No. 1
Insulted by Rosario, a rich businessman, Jai Kishen a Matchmaker teaches him a lesson by getting his daughter married to Raju, a Coolie, who poses to be a millionaire. They sense something fishy and Raju's deceptions are discovered. In an attempt to cover it up, he cooks up a story of having a filthy rich twin. One lie leads to another and things start to go awry culminating in a comedy of errors.
#1 Cheerleader Camp
A pair of horny college guys get summer jobs at a sexy cheerleader camp.
1 Mile To You
After a teenager's friends die in an accident, he finds running allows him to remember them perfectly. Running, however, also brings him notoriety. He is caught between keeping the past alive and making new memories in the present.
Finding Fanon 1
‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.