New Ali Baba
Jan 01 1988
•2h 30m
•Fantasy, Adventure, Comedy
An evil wizard finds King Solomon's magic lantern, but Solomon's curse prevents him from taking it - only someone born the same month, same day and same hour as Solomon can take it. That someone is Ali Baba, a poor, kind-hearted lad who lives with his brother, Ali Mama (Eric Tsang). When Ali Baba sees the 40 thieves enter their hideout and learns the ritual needed for entrance, he steals some gold and jewels. The 40 find out and capture Ali Baba, but he is saved by the evil wizard and taken to retrieve the magic lantern. Ali Baba releases the genie...and you know the story. It all culminates in a chase, the wizard on a flying horse and Ali Baba on his flying carpet.
Cast
See all
Eric Tsang Chi-Wai
Ali Mama
Chyi Chin
Ali Baba
Yang Lin
Triumph
Recommendations
See all
Phua Chu Kang The Movie
More than a decade after his yellows boots first kicked up big laughs on TV, Singapore's favourite contractor has finally made the big leap to the silver screen. Now based in Kuala Lumpur, Phua Chu Kang and wife Rosie get a visit from Kang's beloved Ah Ma. But even before she unpacks her luggage, Ah Ma disappears. What happened to her? Did she run away? Why? Or was she kidnapped? Kang's desperate search for Ah Ma leads him in an old folks home and its smarmy CEO, Lim Lau Pek, who offers Kang a lucrative contracting job. But first, he has to beat his arch nemesis, Frankie Foo, who is after the same job. Things take a surprising turn at the old folks home when Lim takes an amorous interest in Rosie, then Kang is accused of killing one of the elderly residents. Is Frankie behind this? What is Lim Lau Pek really up to?
Skal: Fight for Survival
My name's Arthur, a huge Internet star who's just hit 3 million subs. While in the midst of throwing an epic party to celebrate, the universe had the balls to bring on the effing apocalypse and cut my night short. What was supposed to be a perfect hangover, has turned into an epic fight for survival.
Hannibal Brooks
A POW in World War II is put to work in a Munich zoo, looking after an Asian elephant. The zoo is bombed by the Americans and the director of the zoo decides it is not safe for his Asian elephant Lucy to remain there. So he sends Brooks to safety with Lucy. They escape and go on the run in order to get to Switzerland.
Mist
Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.