Ghost Rider 3 Goes Crazy in Europe
Oct 09 2004
•3h 0m
•Documentary
With the Swedish police on his tail the Ghost Rider takes to the streets for another insane mission. Reaching speeds of at 200mph, the authorities have little hope of catching him. Over three hours of pure adrenaline!
Cast
See all
Ghost Rider
Ghost Rider
Recommendations
See all
Ghost Rider 4 Goes Undercover
Ghost Rider dons the uniform of Sweden's finest, capturing more high-speed mayhem on his 1000cc Yamaha R1. When pursued by the real police, he dodges roadblocks and disappears with a flick of the wrist and a trail of burning rubber. Includes full audio from the bike and hair-raising near-misses!
The Secret Six
Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.
Object: Alimony
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
Film
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri