Rope and Breasts

Rope and Breasts

4.7

Jan 07 1983

1h 9m

Drama, Horror

A husband and wife are on the road doing a traveling BDSM show at various seedy locations. The wife is getting bored with the show and wants to quit. But while on tour in Kyoto a wealthy man and his proper looking wife invite them to do a private show. Little do they know that their stage routine is just child’s play compared to what the couple have in mind for them.

Nami Matsukawa

Nami Matsukawa

Sayo Mayuzumi

Ryosei Tayama

Ryosei Tayama

Isao, Sayo's husband

Kazuyuki Senba

Kazuyuki Senba

Kenzo Kawamura

Izumi Shima

Izumi Shima

Taeko, Kawamura's wife

Recommendations

See all
Rope Cosmetology
6.8

Rope Cosmetology

1978

After meeting an artist who specializes in the practice of BDSM a married couple decides to spice up their marriage with a little bit of doggie training. Woof. Woof.

Barbie
6.6

Barbie

1977

Barbie comes home from shopping. She takes her groceries out of the bag and unwraps a little Barbie doll. She fries up the Barbie doll and eats it.

Kill Shot
9.3

Kill Shot

2023

Posing as hunters, a group of terrorists are in search of $100 million that was stolen and lost in a plane crash en route from Afghanistan.

RR
7.1

RR

2007

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.