Das haut hin
May 08 1957
•Comedy
Cast
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Peter Alexander
Toni Matthis
Gunther Philipp
Hassler
Grethe Weiser
Annemarie Plötzlich
Wolfgang Lukschy
Löwendompteur Carossa
Recommendations
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Incredible Insects
Incredible Insects A captivating world of creepy crawlies exists all around us. And they are the biggest group of animals in the world, outnumbering humans 200 million to one. Thanks to millions of years of evolution, these invertebrates not only survive in almost every landscape known to man, but also thrive by means of fascinating, and sometimes bizarre adaptations. There's the Bombardier beetle that squirts a boiling hot liquid from its anus, the Assassin bug that turns its victims into soup, and the Parasitic wasp that lays her eggs inside her victims, until her young are ready to eat their way out. We end off with the biggest bugs on the planet: the Atlas moth with a wingspan of over 20 centimetres, the Hercules beetle that can carry 850 times its own weight, and the Giant centipede - big enough to catch flying bats from midair!
You
Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.
Swing and Sway
Two friends respond to the challenges of the present by connecting through a playful provocation. Separated by America’s hemispheres, one in Brazil and the other in the U.S, they communicate strictly through video letters during a year. As a rule, each letter is formally and thematically inspired by a woman experimental filmmaker. As life unfolds, they express on film what they want to share with each other: the experience of being a recent immigrant, the expectations of political elections in both countries, their fears and hopes, all while observing the different women around them.
Threshold
An autobiographical documentary made by a mother who follows the gender transition of her adolescent son: between 2016 and 2019 she interviews him addressing the conflicts, certainties and uncertainties that pervade him in a deep search for his identity. At the same time, the mother, revealed through a firstperson narration and by her voice behind the camera that talks to her son, also goes through a process of transformation required by the situation that life presents her with by breaking old paradigms, facing fears and dismantling prejudices.