
Boom Boom
Feb 28 1936
•0h 8m
•Animation
World War I, apparently. There is a series of quick blackout gags, including a soldier that throws the pin...
Cast
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Billy Bletcher
General Hardtack / General / Soldiers (voice)

Tommy Bond
Beans (voice)

Tedd Pierce
Soldiers (voice)

Joe Dougherty
Porky Pig (voice)
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Two buddies who rise from fly-by-night wildcatters to oil tycoons over a twenty year period both love the same woman. McMasters and Sand come to oil towns to get rich. Betsy comes West intending to marry Sand but marries McMasters instead. Getting rich and losing it all teaches McMasters and Sand the value of personal ties.

The Romance of Yushima
Hayase, a schoolteacher, assists Sakai in editing a German-Japanese dictionary. Hayase owes much to Sakai, as Sakai raised him for 13 years after Hayase lost his parents in a war. Hayase has been secretly married to Otsuta, a former geisha, and has been unable to tell Sakai of the marriage, aware as he is that Sakai wants him to marry his daughter, Taeko. Otsuta wants Hayase to tell Sakai about her, but understands the difficulty of his position. At a festival, Otsuta is mistaken for a pickpocket and taken to the police. Because of her background as a geisha, newspaper reporters eagerly delve into her past and report that she has been married to Hayase. Unaware of what has been printed in the papers, Hayase decides to tell Sakai about his marriage. Sakai shows the newspaper to him and orders Hayase to part with Otsuta. Given no chance to explain, Hayase accepts Sakai's order.
Milano di carta
The work has been created for the IAR international video art exhibition at palazzo Fondi in Napoli, and it was filmed and produced at Via Farini - Vir artist in residency in Milano. The film wishes to investigate a potential contemporary condition of suspension in which western-society has fallen into. The artist by assembling a unique optical device has explored the microscopic dimension of billboard paper and projected it back onto its given urban environments. The result is an atmospheric work in which the micro confronts the macro in a sequence of urban projections where by means of juxtaposition of perspectives reality results as partially suspended.