
The Fake
Nov 21 2013
•2h 41m
•Animation, Drama, Thriller
A convict returns to his home town to again torture his family, face his neighbors and try to destroy the local religious fanatics and their plans to keep money from the village people.
Cast
See all
Yang Ik-june
Kim Min-chul (voice)

Oh Jung-se
Sung Chul-woo (voice)

Kwon Hae-hyo
Choi Gyeong-seok (voice)

Park Hee-von
Kim Young-sun (voice)
Recommendations
See all
Tresor
Nathalie and Jean-Pierre have been together for five years, to celebrate their anniversary, Jean-Pierre prepare a surprise present for his girlfriend: a cute four month english bullgod. Nathalie loves her present and calls the puppy "Tresor"; her relationship with the dog is close and strong since the begining but causes problems in the couple.

Black Mountain Side
A group of archaeologists uncover a strange structure in Northern Canada, dating over ten thousand years before the present. The team finds themselves isolated when their communication systems fail and it's not long before they begin to feel the effects of the solitude.

Buñuel in the Labyrinth of the Turtles
Paris, 1930. Luis Buñuel is penniless after the scandal surrounding the release of his last movie. Sculptor Ramón Acín, a good friend, buys a lottery ticket and promises Buñuel that he will pay for his next movie if he wins the prize.

Non Fiction Diary
What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow.