All Recommendations
Surf II: The End of the Trilogy
Evil Nerd Menlo wants to get revenge on some surfers by selling a bad batch of soda called Buzz Cola which turns people into mutant zombies. Its up to Jocko, Chuck, Bob and their surfer buddies to save the day.
Pixinguinha: Um Homem Carinhoso
The life of legendary Brazilian musician Alfredo da Rocha Vianna Filho, better known as Pixinguinha.
Autumn Leaves
Rosamunde Pilcher: Amys Wunschkind
Sports photographer Amy Boyd's biological clock is ticking as she approaches the big 40. Nevertheless, her desire for a child is great, but she just can't get pregnant. She decides to go to a fertility clinic, but her partner Derek is not very enthusiastic about it. However, Amy is so desperate to have a child that she would go it alone. She is hoping for the support of her mother Libba, who also raised her alone. However, the death of her husband Jay almost 40 years ago still affects her, which is why she doesn't think much of Amy wanting to have a child from an unknown donor.
VH1 Storytellers - Matchbox Twenty
Platinum hitmakers Matchbox Twenty hit the stage and tell the tales for the groundbreaking VH1 series, "Storytellers." Starting with their 1996 debut, "Yourself or Someone Like You," Matchbox Twenty has built a devoted following that continues to grow with each new record and tour. Filmed at New York City's Chelsea Piers, Matchbox Twenty perform their many hits including a stripped-down version of the timeless "3 A.M." with Rob Thomas at the piano. Songs: Bent, Mad Season, Black and White People, Push, If You're Gone, Crutch, Lonely Weekend, You Won't Be Mine, Rest Stop, 3 AM.
Quis Ser Grande e Morrer Contigo
Blink of an Eye
Three perceptions of only one truth - hers, his and ours. This film has a trigger warning associated with it.
May Morning
A dramatic and penetrating examination of the intellectual and moral standards existing at Oxford University, England, in the early 1970s.
PWG Sells Out: Volume 3
Can someone (or in this case, PWG, the best professional wrestling organization in the known universe) really "sell out" on three different occasions? Well, apparently it can happen!
Soledad's Shawl
Alberto Robles, a young doctor, is faced with the decision to surrender to a life full of comforts and luxuries or to continue dedicating himself body and soul to serving those who need it most.
Jaguars of the Pantanal
Auferstanden aus Platinen - Die Heimcomputerszene in der DDR
Ultraman Gaia: Once Again Gaia
After the battle against Zogu was over, both Gamu and Fujimiya began to live normal lives until another threat arrives on Earth - a surviving monster soldier of Zogu's army named Gakuzom.
Lei Feng
Lei Feng (December 18, 1940 – August 15, 1962) was a soldier of the People's Liberation Army in the People's Republic of China. After his death, Lei was characterised as a selfless and modest person who was devoted to the Communist Party, Chairman Mao Zedong, and the people of China. In the posthumous "Learn from Comrade Lei Feng" campaign, initiated by Mao in 1963, Lei became the symbol of nationwide propaganda; the youth of the country were encouraged to follow his example. After Mao's death, Lei Feng remained a cultural icon symbolizing selflessness, modesty, and dedication; his name entered daily speech and his imagery appeared on t-shirts and memorabilia.
Friends of Mr. Sweeney
Asaph (Charles Ruggles) is a meek, mild-mannered homebody who occasionally shows some backbone to his prudish, overbearing boss, only to be beaten down again. With the encouragement of his secretary Beulah (Ann Dvorak), his old college team-mate Wynn (Eugene Pallette) and some liquor, Asaph regains some of his wild-man soul. Watch out world!
Empire of Madness
Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.