Dexter's Laboratory: "Changes"
Feb 19 1995
•0h 6m
•Animation
Dexter and Dee Dee wreck havok using Dexter's latest invention: a hand-held device that turns people into various animals. The short film that inspired the TV-series.
Cast
See all
Christine Cavanaugh
Dexter (voice)
Allison Moore
Dee Dee (voice)
Kath Soucie
Dexter's Mom (voice)
Recommendations
See all
Timecrimes
A man accidentally gets into a time machine and travels back in time nearly an hour. Finding himself will be the first of a series of disasters of unforeseeable consequences.
Rurouni Kenshin: The Beginning
Before he was a protector, Kenshin was a fearsome assassin known as Battosai. But when he meets gentle Tomoe Yukishiro, a beautiful young woman who carries a huge burden in her heart, his life will change forever.
Dexter's Laboratory: Ego Trip
After Dexter is confronted with robots who wish to "destroy the one who saved the future," he uses his time machine to see how he saved it. They declare that they are here to destroy the one who saved the future, and make ready to attack Dexter. Dexter easily destroys them with the use of various tools and gadgets from his lab. However, news that he is "The One Who Saved the Future" intrigues him, and he decides to travel through time to discover how cool he is. In the first time period he visits, Dexter finds a tall, skinny, weak version of himself working in office-designing cubicles, with Mandark as his rich, successful boss. The child Dexter unwittingly reveals the existence of blueprints regarding the "Neurotomic Protocore", and Mandark steals it after the two Dexters move forward in time.
Roger Waters: Comfortably Numb Live O2 Arena (With David Gilmour)
During Waters' The Wall Live tour, Robbie Wyckoff sang Gilmour's vocals, and Dave Kilminster performed the guitar solos, both of them atop the wall, as Gilmour has been in the original tour. During the performance of 12 May 2011 at the London O2 Arena, David Gilmour appeared as a guest during this song, and both sang the choruses and played guitar from the top of the wall, echoing the original Earls Court performances.[18] The song contains one of the show's most memorable moments, when at a specific point in the final guitar solo, Waters runs to the wall, pounding it with his fists, triggering an explosion of colour in the previously dark grey projections.