Well Oiled
Jun 29 1947
•0h 6m
•Animation, Comedy
While travelling along a woodland highway, Woody's car runs out of gas. He intends to get some more by siphoning some from a nearby car, not realizing the car belongs to policeman Wally Walrus who immediately chases the bird. Woody temporarily eludes Wally by disguising himself as a gas station attendant who fills Wally's car to the brim with water! When Woody's disguise is uncovered, the two duel with grease guns.
Cast
See allNo cast information found.
Recommendations
See all
The Loan Stranger
Woody is happily (and nuttily) driving down the street when his car breaks down. He tries to get a loan on it from a nearby wolf. The wolf agrees to give Woody the loan but exclaims if he doesn't receive payment in thirty days, he'll take Woody's car away. Sure enough, a title card tells us, "Thirty days have elapsed (and so has Woody's memory)". The wolf appears at Woody's door trying to serve him with a notice but the crafty woodpecker pretends he's not home. The wolf tries to trap him disguised as a deliveryman giving Woody a cake... but the woodpecker throws it in his face bellowing, "I don't like cheesecake!" Finally, the fox throws a punch at Woody and believes to have seriously injured him. He sympathetically agrees to forget about the loan only to be infuriated when Woody "recovers" holding a cuckoo clock and asking, "How about a loan on the clock, Doc?"
Hello
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
HELLO
Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?
Hello
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.