
Shanghai Belle
Jan 01 2011
•2h 54m
•Drama
The destinies of five young women from all over the world intertwine in Paris as they embark on a roller-coaster ride of extremes in their search for love, sex and money. Based upon true stories, Shanghai Belle tells the destiny of five young women who all go through 'hell' to finally receive an unexpected redemption. Each of them states her intimate confessions through daily diaries. They experiment a journey on the 'edge'. The result of which is the loss of their innocence...
Cast
See allMarie Février
Chloé

Elena Kuletskaya
Ira
Kate Rozz
Sylwia
Benjamin Feitelson
David
Recommendations
See all
How to Seduce Difficult Women
Philippe, a French-American writer living in Manhattan, decides to take on ten relationship-challenged men to help them learn the art of seduction.

Object: Alimony
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

People
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
