Aces Go Places
Jan 16 1982
•2h 33m
•Action, Comedy
King Kong, a clever thief who steals a cache of diamonds from some gangsters, frames another thief called White Glove for the crime. That's when the bald detective Albert Au, who has been chasing King Kong for quite some time, pairs with the volatile female Superintendent Ho to bring him to justice. King Kong ends up joining the good guys to defeat White Glove and another bad guy dubbed Mad Max, and recover the diamonds from the hiding place where they were left by King Kong's dead accomplice.
Cast
See all
Sam Hui
King Kong
Karl Maka
Albert Au
Sylvia Chang
Supt. Nancy Ho
Goo Ga-Lau
Ding Dong
Recommendations
See all
Aces Go Places II
An assassin called Filthy Harry is hired by a shady figure and charged with killing the heroes. The men are framed twice for different robberies by King Kong's new girlfriend, nearly committed to a mental hospital by their devious boss, and forced to battle Filthy Harry's weaponry-laden robot while covered with time bombs.
Armour of God
Jackie Chan stars as Asian Hawk, an Indiana Jones-style adventurer looking to make a fortune in exotic antiquities. After Hawk discovers a mysterious sword in Africa, a band of Satan-worshipping monks kidnap his ex-girlfriend Lorelei, demanding the sword as ransom as well as other pieces of the legendary Armour of God - a magical outfit dating back to the Crusades.
Alice, Sweet Alice
Alice is a withdrawn 12-year-old who lives with her mother and her younger sister, Karen, who gets most of the attention from her mother, leaving Alice out of the spotlight. When Karen is found brutally murdered in a church, suspicions start to turn toward Alice. But could a 12-year-old girl really be capable of such savagery?
Genius Party
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.