
The Wise Guy
Jan 15 1962
•1h 23m
•Comedy
Alekos (Dinos Iliopoulos) is in love with Voula (Maria Voulgari) whose brother threatens to kill him if he doesn't marry her soon. Alekos' father (Pantelis Zervos) on the other hand insists that Alekos' sister (Zoe Laskari) has to get married before him. His sister Annoula (Zoe Laskari) is in love with Antonis (Stephanos Stratigos) and pressures him to ask for her hand in marriage from her family. Antonis meets Alekos by accident at a cafe in Panorama - they don't know each other - and advises him to use the infalible method of "escaping through an engagement" to calm down Voula's brother. This is after all what he intends to do himself... And God help them...
Cast
See all
Dinos Iliopoulos
Alekos Kourouzos

Zoe Laskari
Anna Kourouzou

Thanasis Veggos
Thrasyvoulos

Pantelis Zervos
Thodoros Kourouzos
Recommendations
See all
Mousitsa
Alice is a girl who can't hold down a job. When she hears about a typist position at a newspaper, she hopes she'll finally succeed. But things get complicated when her editor-in-chief assigns her to interview an important public figure.

Brent Weinbach: Appealing to the Mainstream
Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.

Last Ma(i)nland
Photographer Grigory Yaroshenko gets a chance to visit Antarctica and learn about the life of polar explorers. But his wife is expecting their second child, and life changes. Gregory is faced with the question of male self-identification and acceptance of new family circumstances.

Hello
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.