Shadows of Forgotten Ancestors

Shadows of Forgotten Ancestors

7.6

Oct 18 1965

2h 36m

Drama, Romance

In the Carpathian Mountains of 19th-century Ukraine, love, hate, life and death among the Hutsul people are as they’ve been since time began. Ivan is drawn to Marichka, the beautiful young daughter of the man who killed his father. But fate tragically decrees that the two lovers will remain apart.

Ivan Mykolaichuk

Ivan Mykolaichuk

Ivan Paliychuk

Larysa Kadochnykova

Larysa Kadochnykova

Marichka Gutenyuk

Tatyana Bestayeva

Tatyana Bestayeva

Palagna

Mykola Hrynko

Mykola Hrynko

Batag

Recommendations

See all
The Flowers of St. Francis
7.1

The Flowers of St. Francis

1950

In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.

Terrorizers
7.4

Terrorizers

1986

An uncompromising look into urban life from the eyes of a voyeuristic photographer, a rebellious teenager, and a married couple teetering on the edge of adultery.

The Gorgon
6.3

The Gorgon

1964

In the early 20th century a village experienced a series of inexplicable murders. All the victims were young men who had been turned to stone. The perpetrator of these deaths was a being so repulsive that she transformed the onlooker using the power of her deadly stare. Much of the time the creature took the form of a beautiful and seductive woman, but during periods of the full moon she becomes a living horror, vicious and deadly. A professor has come to investigate the deaths, bringing with him his beautiful assistant whose knowledge of the Gorgon is more intimate than anyone would ever realise.

Story of Women
7.3

Story of Women

1988

France, World War II. In order to somehow make ends meet, the mother of two children, Marie Latour, does underground abortions and rents a room to a familiar prostitute. She doesn't pay any attention to her husband, who returned from the war because of his injury and lives her own life. Abortions gradually begin to bring a good income, and boredom can be easily dispelled by starting a young lover.