All Recommendations

Human Body

An adaptation of Kafka's "A Country Doctor". A doctor is to make out a death certificate to a little boy, but the disorder is different from what he assumed.

Six: Inside

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

The Present

George Stevens: A Filmmaker's Journey

Biography of the legendary filmmaker directed by his son.

Reflection

Reflection is a short film that reflects how others see us in relation to who we actually are, and that nobody is or ever will be perfect in others' eyes. As Lamis closes her eyes she realizes that everything that happens in her head isn't true, and that she shouldn't compare herself to other people, and not everything we see is the truth.

Pluto at the Zoo

Pluto walks past the zoo and sees the huge bone the sleeping lion has but getting it out is easier said than done. He gets it out of the lion's cage, but then has to face the kangaroo and its playful joey. Next is the gorilla, then the crocodiles.

Антарктида. Хождение за три полюса

Fight Club (Russian version)

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

The Great Pack

Côme de Lambrefaut inherited the family castle on the death of his father, but the notary told him that all his property was mortgaged. However, he wants to keep the pack of one hundred and ten hunting dogs that make him proud. In September 1939, the castle was destroyed during a bombardment, and the dogs escaped from their enclosure.

Millenium - The Cinema Show

Recorded live at Kijów-Centrum, Kraków, 7.11.2015

Persons in Hiding

During a stick-up, a woman is excited by the criminal and joins him on his crime spree.

Happy Times Will Come Soon

Tommaso and Arturo are on the run in a remote forest. They hunt for food, trying to survive and find their way through the lush nature. It’s quiet, almost peaceful, until the sound of gunshots… Many years later, this forest has a wolf problem. It’s here where Ariane discovers a strange hole in the ground. Could she be the woman referred to in the valley’s legends?

Reservoir Dogs: Playing It Fast & Loose

An insightful documentary about the impact and ripple effect of "Reservoir Dogs" from its release in 1992 and how it has helped redefine contemporary cinema.

Mister Buddwing

An amnesiac wanders the streets of Manhattan, trying to solve the mystery of who he is.

Fragmentary

Ben Sanderson believes he can travel to an alternate reality when he drinks alcohol, to see the love of his life, who was brutally murdered in a home invasion two years prior. As Ben starts to get a hold of his new found ability, a new threat surfaces that may kill him before he can seek the truth.

Grandma's Not a Toaster

Three siblings plot to steal their ailing Grandmother's fortune, without realizing Grandma has a plot of her own.

And Still I Believe

Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..."