Pachito Rex: I'm Leaving but Not for Good
Nov 09 2001
•1h 26m
•Drama, Crime
The attack on a popular singer known as Pachito -who becomes the favorite candidate to win the presidential election in an imaginary Latin American country- is the starting point of several stories, including: the alleged murderer, a police officer investigating the disappearance of the murdered body and an architect hired to design the mausoleum to the memory of the possible dictator.
Cast
See all
Jorge Zárate
Pachito Rex
Yuriria del Valle
Rumania Merrog
Alejandro Calva
Chueco Romo
Carlos Cobos
Machadia
Recommendations
See all
1973
“1973” Is the tale on the life of three people who were born in Mexico City in the year of 1973, it starts since their first memory until today. The three of them want to be someone they can’t achieve, they share the dream of running away from the city, but finally they fail and find three different ways of personal destruction.
Angelheaded Hipster: The Songs of Marc Bolan & T. Rex
A musical documentary celebrating the life and work of glam rock pioneer Marc Bolan, combined with a behind-the-scenes look at the tribute album of the same name.
The Latin Explosion: A New America
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
Welcome, Violeta!
Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.