The Hunters
Jan 01 1957
•1h 12m
•Documentary
An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.
Cast
See all
John Marshall
Narrator
Recommendations
See all
The Autobiography of Miss Jane Pittman
In February, 1962, as the civil rights movement reaches Bayonne, Louisiana, a New York journalist arrives to interview Jane Pittman, who has just turned 110. She tells him her story dating back to her earliest memories before slavery ended. In between the chapters of her life, the present-day struggles of Blacks in Bayonne, urged on by Jimmy, are dramatized.
Maine Pyar Kiya
After Suman's father leaves her in the care of another family while he travels abroad, she falls in love with Prem. However, in order to for them to marry, Prem has to prove to Suman's father that he is not the same as his own dad.
Sonic Soldier Borgman: Madnight☆Gigs!
A music clip OVA using full versions of songs that were from the anime.
Mana Huncha Khina Sawule Chuti Dinna Aama
The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.