Agnidevan
Jul 04 1995
•Drama
Agnidevan is a 1995 Malayalam film directed by Venu Nagavalli. The film stars Mohanlal, Revathi Menon, Devan and Bharath Gopi in lead roles.
Cast
See all
Mohanlal
Aniyankuttan (Ravi Varma)
Revathi
Sudarshana
Devan
Appu (Rama Varma)
Ratheesh
Anantharaman
Recommendations
See all
Gandharvam
A romantic film packed with fun and adventure Gandharavam tells the story of an auto mechanic who falls in love with the daughter of a crime mob family.
Film
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Insane Fight Club
A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?
Hannibal Hopkins & Sir Anthony
Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.