Les amants du bagne
Sep 17 2004
•2h 34m
•Drama, TV Movie, History
In 1923, Albert Londres, the famous reporter, travels to the French penal colony in French Guyana. First, officers try to hide the truth, but leaded by his own instinct he begins an investigation alongside the authorities. He didn't expect to find such inhuman conditions. He meets a prisoner, Camille, and his wife, Claudia, who's in French Guyana to find a way to free her husband. He decides to help her.
Cast
See all
Yves Afonso
Firmin
Isabelle Renauld
Claudia Desfeuilles
Laurent Malet
Camille Desfeuilles
Jean-Michel Noirey
Letaillec
Recommendations
See all
Les Vieux Calibres
In search of the excitement of their youth, four retired people play gangster and make plans to rob the till in their retirement home. But when they learn of an upcoming ministerial visit, they decide to move up a gear and make the most of this unexpected event.
Clear Skies 2
These likeable dropouts from the entrenched corporate lifestyle of New Eden eke out a meager living on trade runs and the odd courier job here and there. Still, they manage to find humor in their grim lot as they narrowly avoid being blown out of the stars by pirates, hired thugs, or whatever threat awaits them on the other side of the next jump gate. This is life aboard the Clear Skies.
Warsaw Main Station
Warsaw Central Station, 1958. A place of greetings and farewells, an intersection of people from different parts of Poland and Europe. A girl waits in vain, she goes away. Soon the station would belong to the past too.
Acts Of Faith
Auto Da Fé is a diptych that looks at migration through the lens of religious persecution. Presented as a poetic period drama, the film presents a series of eight historical migrations over the last 400 years, starting with the little known 1654 fleeing of Sephardic Jews from Catholic Brazil to Barbados. As the film develops, we are presented with tale after tale of populations being displaced along religious lines, right up to the present day migrations from Hombori, Mali and Mosul, Iraq. Religion, persecution and migration are, it seems, old and continuing bedfellows. The work was filmed on location in Barbados, but the landscape is deliberately anonymous, reflecting the universal nature of these stories.