Summer
Sep 28 2014
•1h 26m
•Drama
Sixteen-year-old Anne grows up in the isolated Biesbosch area, where spacious fields and power pylons define the landscape. With a group of friends, she spends a sultry summer holiday there trying to make the leap to maturity. But this shared experience turns into a conflict situation when Anna develops feelings for the tough girl Lena. Coming-of-age drama about growing pains, the inevitable end of childhood and choosing your own life - no matter how confusing your environment may find it.
Cast
See all
Sigrid ten Napel
Anne
Jade Olieberg
Lena
Lisa Smit
Carlijn
Ella-June Henrard
Ruby
Recommendations
See all
The Return of Don Camillo
Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.
Spring
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
Fight Club
A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform
1-2-3
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.