Nightstick
Sep 01 1987
•2h 35m
•Action, Thriller, TV Movie
A cop tries to prevent a gang of extortionists from blowing up New York City with nitroglycerin.
Cast
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Bruce Fairbairn
Jack Calhoun
Kerrie Keane
Robin Malone
Robert Vaughn
Ray Melton
John Vernon
Adam Beardsly
Recommendations
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Instruments of Evil
Created in the ancient mists of time by the Viking god Loki, four musical demons have left carnage and horror in their wake as they’ve travelled through the centuries, using the vibrations of music as a conduit across time and space. Now, as the harmonic horrors attempt to reunite and bring about the end of the world, can a cop, a hooker, and a warrior from the past defeat these evil spirits before the music stops… forever? A combination of paean and parody, the music-filled INSTRUMENTS OF EVIL pays homage to the low-budget exploitation (or “grindhouse”) films of the ’60s, ’70s, and ’80s, while also poking fun at their notorious excesses and absurdities. Fans of low-budget, B-movie madness will find enjoyment here, but be warned: not only tunes get stuck in your head!
Hanni & Nanni 3
The Lindenhof School is expecting a busload of proper young English ladies as exchange students. The shock is great when the students turn out to be teenage boys! But while Mademoiselle Bertoux is delighted to stage “Romeo and Juliet” with real boys, both Hanni and her sister Nanni fall for their “Romeo,” Clyde.
Road
Arvind Chauhan and Lakhsmi are in love with each other. Lakhsmi's dad, a senior police inspector, hates Arvind, and so Arvind and Lakshmi decide to elope
1-2-3
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.