Masks: Facade
Sep 15 2015
•Drama, Horror
Prequel to the 2013 Charles A. Christman III short film "Masks" that shows the origins of how the man became "The Mask" and the internal struggle that later leads to murder. When Tim comes home from work, he finds his best friend waiting for him in a disoriented state. While trying to inquire and remedy the situation, he comes to find out that his childhood friend is no longer there and a darker, dormant presence is taking shape.
Cast
See all
Anthony Horton
The Man
Charles A. Christman III
Tim
Jesús M. Villanueva
Crazy Kruck
Recommendations
See all
Bite School
Playboy millionaire, Tony Canoni, is caught between a satanic vampire cult and the Yakuza, but taking on undead blood suckers and the Japanese mafia isn't as hard as studying for his GED test at Night School. Based on a true story. Except the mafia part. We all know that there are no such things as the "Japanese".
Irene Huss 8: Det lömska nätet
A bicycle messenger sees a girl being brutally assaulted and dragged into a van. She immediately calls the police, but unfortunately the girl is found too late. It turns out that the murdered girl has been the victim of a serious sexual crime. Detective Inspector Irene Huss and the rest of the team begin to look for the murderer, but have very few clues to go on. When another young girl is murdered in a similar way, the team realizes that they are dealing with a sexual predator. How does he get in touch with the girls? Why do they agree to meet him? Why are they wearing special underwear?
Dream of the Red Chamber
Documentary about rock club in the city of Sverdlovsk, USSR. The title is not connected to the communist ideology, it's a reference to one of China's Four Great Classical Novels. The idea is that the phenomenon of Soviet rock music is as extensive and complicated as the structure of the book. Featuring rock bands: "Агата Кристи", "Чайф", "Наутилус Помпилиус", rock singer Nastya Poleva and her band "Настя"
Wawa
Featuring speakers of Chinuk Wawa, an Indigenous language from the Pacific Northwest, WAWA begins slowly, patterning various forms of documentary and ethnography. Quickly, the patterns tangle and become confused and commingled, while translating and transmuting ideas of cultural identity, language, and history.