All Recommendations

Frames of Reference

An educational physics film utilizing a fascinating set consisting of a rotating table and furniture occupying surprisingly unpredictable spots within the viewing area, Leacock’s Frames of Reference (1960), features fine cinematography by Abraham Morochnik, and funny narration by University of Toronto professors Donald Ivey and Patterson Hume, in a wonderful example of the fun a creative team of filmmakers can have with a subject other, less imaginative types might find pedestrian.

Six: Inside

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Palkó Csinom

The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.

Cuatro paredes

Forest

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Más allá de lo común

Pili, a 51-year-old widow, unexpectedly leaves her home when, on her way, she is interrupted by the presence of an alien. After trying to tell her children about the extraterrestrial encounter and being ignored by them, she must investigate how to deal with this being. Meanwhile, she grapples with new desires to abandon the traditional life she has always known. In the end, she will have to confront and accept her deepest fears in order to fight this alien.

Terror on the Midway

When things go wrong at the circus, it's up to Superman to stop the escaped animals.

The Peasants

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

WWE: The Best of Raw & SmackDown 2012, Volume 1

Paredes Pintadas da Revolução Portuguesa

Following the Revolution of April 25, 1974, the walls of the city of Lisbon became a means of celebrating and transmitting revolutionary ideals and slogans. The text by painter António Domingues praises this plastic work initiated by the Plastic Artists Cell of the Portuguese Communist Party.

Fluctuations

A bizarre don't-even-try-to-make-sense-of-it bombardment of sexual imagery that plays like stream of consciousness from a degenerate: threesomes, foursomes, lesbians, bondage, hair-whipping (!) and, believe it or not, even kung-fu. Avant-garde masterpiece or pure gutter trash? Perhaps both.

Golden Horseshoes

Youssef Soltane, a 45-year-old Tunisian intellectual, is the product of a generation that lived the era of euphoria and great ideologies in the sixties, and their subsequent failure. He was incarcerated and tortured for his political opinions. Furthermore, his relationship with Zineb, a young, beautiful bourgeois, only brings him more trouble. During one long winter night, Youssef wanders in search of an emotional haven, prey to all the questions that flood his memory.

El Asesino del Zodiaco

Bulldozer

Three friends are hanging out at the marina with the adrenalin still rushing after they have stolen energy drinks from the supermarket. When they notice an autistic man, the “alpha girl” in the group, Agnes, starts to exploit the man’s good-natured way of being.

Dolomiti - 106 Vette in 50 Giorni

La Lola se va a los puertos

1860, in the Bay of San Fernando, Cadiz. Lola is an Andalusian singer who all men that meet her love. Along with guitarist Heredia, a man who is resigned to love her in silence, she travels to the farmhouse of the wealthy Don Diego, which is also in love with her, to sing in the compromise party of his son Jose Luis and Rosario, his fiancée of childhood. Lola, a woman who never loses her head, is disturbed by the presence of the handsome young gentleman José Luis. Both are attracted and inadvertently awaken the jealousy of Rosario and the envy of Don Diego ... Remake of an eponymous film directed in 1947 by Juan de Orduña