Faith, Hope and Charity

Faith, Hope and Charity

6.3

Feb 14 1974

2h 53m

Drama, Comedy

Three episodes. Faith: a woman is attacked. Hope: a fakir is crucified. Charity: a woman faces bureaucracy.

Katy Jurado

Katy Jurado

Eulogia (segment "Caridad")

Sara García

Sara García

Old woman (segment "Caridad")

Letícia Robles

Letícia Robles

Hippie (segment "Esperanza")

Fabiola Falcón

Fabiola Falcón

Teresa (segment "Fe")

Recommendations

See all
A Matter of Faith
6.7

A Matter of Faith

2003

Two saint makers are ordered by a gangster to construct a Virgin and deliver it to a town in the jungle. Accompanied by their friend, a gambler, they proceed to have misadventures which test their respective faiths in God and gambling.

H2Omx
9.0

H2Omx

2013

Can a región of 22 million people become water sustainable? Mexico City was not built near water, but in the middle of a lake. To supply it with fresh water, it is necessary to bring it from other states. In addition, once sewage water leaves the city, it ends up in the state of Hidalgo to be used in agriculture. This is an environmental case study of the Valley of Mexico and its struggles to save itself as the population grows.

Ángel de fuego
5.5

Ángel de fuego

1991

The young trapeze artist Alma is part of the show of a miserable traveling circus. In an act of desperation, Alma commits incest with her father, a sick clown obsessed with the woman who abandoned them. Determined to have his child, Alma leaves the circus and joins a group of preachers led by Refugio, a woman who performs puppet shows with biblical passages in poor neighborhoods.

Hello
6.1

Hello

Invalid Date

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.