Bang, Boom, Bang
Aug 26 1999
•2h 50m
•Crime, Action, Comedy
Bank robber Kalle Grabowski escapes from prison while his unemployed smalltime crook buddy is sitting around doing nothing after he just lost all their money. A fast paced comedy from German director Peter Thorwarth.
Cast
See all
Oliver Korittke
Keek
Markus Knüfken
Andreas 'Andy' Fink
Ralf Richter
Karl-Heinz 'Kalle' Grabowski
Diether Krebs
Werner Kampmann
Recommendations
See all
My Führer
Hitler no longer believes in himself, and can barely see himself as an equal to even his sheep dog. But to seize the helm of the war he would have to create one of his famous fiery speeches to mobilize the masses. Goebbels therefore brings a Jewish acting teacher Grünbaum and his family from the camps in order to train the leader in rhetoric. Grünbaum is torn, but starts Hitler in his therapy ...
The Boom
Sweet-sour comedy on Italy's 1950s rage to get rich as fast as possible! The businessman wants to satisfy his wife's craving for luxury and a "respectable life" so he becomes heavily indebted. In desperation he agrees to sell a precious part of his body for a large sum of money. But just before the crucial operation he panics...
3, 2, 1... Frankie Go Boom
Frank Bartlett has been tortured, embarrassed, and humiliated by his brother Bruce — usually on film — his entire life. Now that Bruce is finally off drugs and has turned his life around, things should be different. They are not.
Schtonk!
Schtonk! is a farce of the actual events of 1983, when Germany's Stern magazine published, with great fanfare, 60 volumes of the alleged diaries of Adolf Hitler – which two weeks later turned out to be entirely fake. Fritz Knobel (based on real-life forger Konrad Kujau) supports himself by faking and selling Nazi memorabilia. When Knobel writes and sells a volume of Hitler's (nonexistent) diaries, he thinks it's just another job. When sleazy journalist Hermann Willié learns of the diaries, however, he quickly realizes their potential value... and Knobel is quickly in over his head. As the pressure builds and Knobel is forced to deliver more and more volumes of the fake diaries, he finds himself acting increasingly like the man whose life he is rewriting. The film is a romping and hilarious satire, poking fun not only at the events and characters involved in the hoax (who are only thinly disguised in the film), but at the discomfort Germany has with its difficult past.