Run Melos!
Feb 07 1981
•1h 7m
•History, Animation, Adventure, Drama
Hashire Melos! is the title of two Japanese animated films. The first was directed by Tomoharu Katsumata and released on Japanese television on February 7, 1981. It was either 68 or 87 minutes long, and its official title did not include the exclamation mark on the end. The second, with the exclamation mark, was a 107-minute remake of the first and was released on July 25, 1992. It featured direction and screenplay by Masaaki Osumi, music by Kazumasa Oda, art by Hiroyuki Okiura and Satoshi Kon, and background art by Hiroshi Ohno. Both were produced by Toei Company Ltd. Visual 80, and both were based on the original short story written by Osamu Dazai in 1940.
Cast
See all
Toshio Furukawa
Pauze
Makio Inoue
Serinuntious
Recommendations
See all
Twilight
Hakubo tells the story of two young people who live in rural Fukushima: Sachi Koyama, a girl who excels at playing the violin, and Yuusuke Kijinami, a boy who loves to paint. After an awkward, chance encounter, the two meet and begin to fall in love, but Yuusuke is still living in the shadow of the 2011 Tohoku earthquake and tsunami.
An Inn in Tokyo
An unemployed Japanese man and his two sons wander the industrial flatlands of Depression-era Tokyo, until he chances upon an old friend and befriends a woman and her daughter, who are in a similar predicament.
Panda
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
Hello
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.