All Recommendations
Anatomy of a Marriage: My Days with Jean-Marc
The story of the couple from the very first meeting to break up told from a view of a man, Jean-Marc. The film shares the same plot with "Françoise ou La vie conjugale", that tells the same story from another perspective.
كعبة حلوى
Are we born criminal or we became one ?
Manu the Smuggler
Manu unwittingly accompanies a fugitive conman across the French border into Italy. Agreeing to meet later, the conman doesn't arrive at the arranged meeting point and is then discovered dead, with Manu the prime suspect.
Small Fry
Junior wants to be a Big Fry, but learns the hard way that he just isn't ready for smoking in the pool room when he should be in the school room.
Eye for an Eye
A vengeful widow hires a professional killer to train her son so that he can hunt down and kill the men who murdered her husband. The quest for revenge soon becomes an obsession.
Oily to Bed, Oily to Rise
Once again, the Stooges are three hapless tramps. After nearly destroying a farmer's (Richard Fiske) pile of firewood, the boys come to the assistance of the Widow Jenkins (Eva McKenzie), who has just been cheated out of her land by a trio of swindlers (Dick Curtis, Eddie Laughton, James Craig). Attempting to fix the woman's well, the Stooges instead unleash an oil geyser. They manage to retrieve the deed to the land and are allowed to marry the now wealthy Widow Jenkins' daughters. Moe tells Curly to wish for quintuplets, and Curly replies, "We'll honeymoon in Canada!" (a reference to the Dionne quintuplets).
The Third Part of the Third Measure
The Third Part of the Third Measure creates an encounter with the militant minimalism of black avant-garde queer composer, pianist and vocalist Julius Eastman. The film focuses on what The Otolith Group describe as ‘an experience of watching in the key of listening’, invoking political feelings of defiance and the collective practice of movement building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as ‘full of honour, integrity and boundless courage’.
I Grass, I Love
Can a custom-crafted script pave the path to stardom? A model truck driver and a fame-hungry rapper become an unlikely mentor-protege duo by chance. After accidentally boarding Old Zhao’s cargo truck, they embark on a 5,000-kilometer "sheep delivery mission" from Inner Mongolia to Hunan—a quest filled with wild twists. Along the way, they encounter an eye-opening adventure. But just as he thinks he’s about to reach the pinnacle of his life, the story takes an earth-shattering turn…
Honeysuckle
After metal detecting for hours in the desert, Arlo and Robyn’s efforts finally pay off. While celebrating their good fortune, an unexpected wrench is thrown into the mix, complicating their day and possibly the rest of their lives.
La rebelión de la sierra: El Fin de Heraclio Bernal
Third and last film in the trilogy about Heraclio Bernal. Heraclio continues his fight against the Federales in the Juarista era.
The Peasants
A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
Torture Money
In this MGM Crime Does Not Pay series short, police go after a fraud operation that stages automobile accidents to collect insurance money.
Wind of Wandering
Two young children are traveling through all the USSR in order to meet their father who is wounded in the hospital.
Rosamunde Pilcher: Vermächtnis der Liebe
Crazy Crying Lady
A woman is afflicted with an unusual condition; she cries all the time, at the slightest provocation regardless of whether she's happy or sad, beset by anxieties or problem-free. Nicknamed "Madame Ho", this pitiful woman strives to play a more visible role in a household that continually belittles her.
Roger Cicero - Ein Leben für die Musik
Skin of a Mandarin
The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.
Stephen Fry: Guilty
Fry discusses his guilty pleasure in Abba, soap operas, darts and hitting people.